
Mike Lake
It would be an understatement to say watching Catching On get made was one of the greatest experiences of my life. In the previous short films and scenes I’ve written or co-written with Nick there was always some separation between what we think is funny and what others involved think is not funny or downright offensive. And when push comes to shove it’s easier for most people to take the road of not going for huge laughs, and also not pissing people off. With Catching On, that’s not the road we chose to take- thank goodness.
I think problems we had run into in the past were that we would take ideas that were seemingly normal and put outrageous things in them, which most people didn’t want to take a chance on. This time around, the premise itself was so outrageous and polarizing that before anyone has seen the film they either love the idea or want to throw big stones at me. When the starting point is gays taking over the world- there’s not much else that could be put in to make it more controversial.
I would imagine a huge problem that most screen-writers have is the worry that so much can change throughout the process of taking the script and making it a film. There is just so much involved with making the page come to life that it leaves a lot of room to screw it up. For instance- had I also starred in this movie it would be downright unwatchable. Actually, I think it’s safe to say that had I done any more than write, get coffee, and hold a boom pole we would have some serious problems. What made this film really magical for me seeing everyone do their specific job so well in order to make the film.
Catching On was the first thing we’ve done in a while that I knew once the script was out of my hands the integrity of what was on the page would remain intact. I knew there would be changes (and there were tons of them) but at the end of the day I knew everyone that stepped foot on that set- from the actors and actresses, to the crew, to the idiot in charge of cooking the hotdogs (me!)- was there to make what I had written come to life. No matter how many times people made suggestions for changes, those changes were in the spirit of helping the story that was already there, not making something different.
The only way to do justice for the people that worked on this project would be to sit down and watch the end product with the script in hand so I could point out what’s on the script in comparison to how it came out. It would be a 6 hours process in which I would pause the movie for 20 minutes to explain how the “dingy apartment” they live in became the most ridiculously trashy living room I ever could have imagined.
At the end of the day everyone believed in the script and was only trying to enhance it. Tons of people worked countless hours not only to make something I had written come to life, but to make it a hell of a lot better than it had ever been on the page. It was this dedication that truly made the filming of Catching On one of the most memorable and inspiring experiences of my life.
Mike
Posted by Michael Lake